It should take #1 on the Billboard Top Album Sales chart. While the pure sales race is a bit closer, “Dancing Queen” should nonetheless hold up as the #1 album in that regard. It will surely take #1 on the Billboard 200. The potential discrepancy will obviously not be enough to change the clearest reality: Lil Wayne’s “Tha Carter V” convincingly ranks as the week’s leader in overall units. Along with trailing the Lil Wayne album, the figure is also short of the 173K generated by Logic’s “YSIV” (the Logic album takes third for pure sales with 128K).ĭue Sunday, Billboard’s more authoritative data may differ slightly from that reported by Hits. “Dancing Queen” posted an opening week consumption tally in the neighborhood of 158K. With TEA and SEA included, “Tha Carter V” generated roughly 473K in overall first-week units.
#Lil wayne carter 5 first week sales free#
Lil Wayne’s album nonetheless received a markedly greater lift from track equivalent units (track sales/10) and streaming equivalent units (paid track streams/1250 + free track streams/3750). “Tha Carter V” sold about 140K in traditional albums. Lil Wayne’s “Tha Carter V,” however, ruled for total consumption.Īccording to Hits, “Dancing Queen” sold about 156K pure US copies during the September 28-October 4 tracking period. The rap titan’s long-awaited album Tha Carter V is expected to debut at No. Hits Daily Double and BuzzAngle report that Cher’s “Dancing Queen” posted the week’s best pure US sales total. Lil Wayne is returning to the charts in a big way. Logic’s “YSIV” starts at #3 for pure sales (122K) and #2 on the Billboard 200 (167K).Īs was the case last week, it appears this week’s US album race will produce a split-chart scenario. “Tha Carter V” debuts at #2 for pure sales (141K) but #1 on the overall Billboard 200 with 480K units. That is enough for #3 on the Billboard 200 consumption chart. With units from track streams and sales included, it generated 153K in total units.
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“Dancing Queen” leads Top Album Sales with what Billboard reports as 150K in pure US sales. Carter.Update: Billboard just made the news official - Cher’s “Dancing Queen” debuts at #1 on the Billboard Top Album sales chart, while Lil Wayne’s “Tha Carter V” earns #1 on the Billboard 200. He also addresses a suicide attempt on the album closer “Let It All Work Out,” rapping, “I shot it, and I woke up with blood all around me / It’s mine, I didn’t die but as I was dying / God came to my side and we talked about it / He sold me another life and he made a prophet.” The song samples Sampha “Indecision,” so it will tug on the heartstrings with Sampha's voice as well.įor an album of this magnitude, Wayne likely could have gone for the popular producers of the moment, but he largely stuck with the names he knew like Mannie Fresh, DJ Frank E, Ben Billions and Swizz Beats.įans will really feel every moment when he flicks the lighter and starts rapping. He samples a 2009 speech from Barack Obama telling kids they can’t all aspire to be Lil Wayne or LeBron. Though this album was supposed to be released while he was still at the top of rap, the delay has given him time to contemplate life and gather more material. He addresses fame on the piano-led and classic sounding “Famous” featuring his first daughter Regina Carter, tackling the trappings of fame, but also praising the blessings it has brought him all along the way. Snoop's smooth voice carries the hook while Wayne brings the braggadocio with the bags in his bank account. If were looking for some face-scrunching, car-cruising West coast funk, the Snoop Dogg collaboration is your choice. Wayne's verse is nearly three minutes long and then he hands things over to Kendrick who fires off lines in rapid succession, keeping the onslaught going for another two minutes. He gets his features to work in the way he wants, notably getting Nicki to sing on “Dark Side Of The Moon.” If you are looking for bars, “Mona Lisa” is here for you. Many of the recent mixtapes have seemed lost, fillers, placeholders for this record to placate fans.
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He sticks to a singular vision that we haven’t seen from Weezy in a long time. It moves from the more subdued and personal “Don’t Cry,” to the upbeat and fun “Uproar” that brings back some of the classic Swizz Beats production, which the world needs more of. The album isn’t all bangers, as you can hear in the first couple of songs. The album starts with a teary intro from his mother, congratulating her son on putting together this album and finally having it out there to the world.